I find their drum sounds are so diverse even though they're all in that sorta big Indie meets 60's garage sound they really explore a lot of sounds.
Some times they have kits panned soft left and right with full parts (kick and snare) from each, some have overheads panned and the first kick and snare right down the middle.
Sometimes there's just the first drumset panned full left to right (mostly for complex fills).
Sometimes the drums are panned seemingly right on top of each other like for the really polyrhythmic stuff in Polygonwanaland.
Sometimes the drums are sooo warm and low-end heavy (Infest the Rats Nest, MotU)
Sometimes they're blown out and live (nonagon) sometimes they're a little hi fi (Fishing for Fishies, PMDB). And sometimes they're ever changing (Mind Fuzz/Quarters, and 12-Bar)
People who say their stuff sounds the same really gotta try and look underwood a bit more past the Psychadelia & Saturation thats always present, and listen to all the wild production choices. They are truly masters of experimental recording even more so than as songwriters!!
Just wondering if anyone heard if percussion caps are coming anytime soon?
Thanks 🙂
https://8dio.com/instrument/aura-tonal-exotic-studio-percussion/
https://8dio.com/instrument/aura-percussion-vst-au-aax-kontakt-instruments/
https://8dio.com/instrument/studio-percussion-orchestral-for-kontakt-vst-au-aax-samples/
This WOULD be my favourite of the 3 songs, except this part of the song is super distracting, and uncomfortable for my ears. I LOVE the idea, but this particular sound sounds really low quality/ 240p, so I wish it was fixed to be more high-definition and crisp.
I read somewhere that it's an accident that happens in production once the song is uploaded, so im wondering if Mike will notice it and fix it?
Does anyone else notice this/does it ruin the ending of the song for anyone else?
Realised after all these years that (at least live) these drums are pure aesthetic. There are some posts online alluding to people realising this, to which people say that they 'are there', and you need 'decent headphones' to hear them. I am a musician and I know about mixing and let me tell you, they are not there, they are purely for image and I guess to arouse a kind of tribalism to the live show. That's it.
Very happy to be proven otherwise though. I'm kind of bummed I've realised this.
Hello, normally I play saxophone for literally all my school's activities, but I've recently received an offering to play in the percussion pit during marching. I would still be doing saxophone for concert and other things though. I also already have experience playing guitar and piano. Any advice would be extremely helpful as it will also be my first year in marching band since I'm finally a freshman.
Mix of rock and folk records for sale below. Open to reasonable offers but everything is priced fairly.
All records have been carefully graded very conservatively, using Goldmine grading standards. Media/Jacket.
Please feel free to message me with any questions or requests for photos.
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-----------FOR SALE------------
Oingo Boingo - Good For Your Soul, VG+/VG+, $22.50
1983 pressing. Record plays through perfectly, without any issues. Downgraded due to a couple of surface marks that do not affect playback. Center labels are pristine. jacket has original hype sticker and very minimal shelf wear. Comes with original printed inner sleeve.
Various Artists - Pretty in Pink OST, VG+/VG+, $15.50
Borderline NM. Record and center labels look brand new. Jacket still in shrink (although the shrink has torn a bit). Very minor corner bumps, otherwise the jacket is in fantastic shape. Great copy all around.
Kinothek Percussion Ensemble - Suspense, VG+/VG+, $19.50
Looks and sounds like it has never been spun. Downgraded only due to extremely faint marks that do not affect playback. Borderline NM. Jacket is still in shrink although there is a hole in the shrink. No real wear detected to the jacket at all.
Kinothek Percussion Ensemble - Adventure, VG+/VG, $21.50
Looks and sounds like it has never been spun. Downgraded only due to extremely faint marks that do not affect playback. Borderline NM. Jacket has a little edge wear on top and bottom, but otherwise in great shape.
-- Free shipping if you take both KPE albums.
Jim Croce - Photographs & Memories: His Greatest Hits, VG+/VG+, $9.50
*Record is as close as it gets to NM. Downgraded only due to some faint surface marks that do not affect playback. Original printed inner sleeve is in excellent condition and jacket only shows ve
... keep reading on reddit ➡I love tunes like this and tried a couple of times to recreate the bongo percussion element but can’t get even close. I used djembe one shot samples but can’t even get a nearly listenable pattern.
Can you give me some tipps?
A saw a windchime knocker ringing wildly in the breaze when, suddenly, it hit me.
Main cause of my "obscession": Hans Zimmer - Supermarine
Other Zimmer music like No time for Caution and Tick-Tock also count.
And while X-HZT does not perfectly hit the mark in regards to the clock sound, it does have the right "feel" to it, hence the mention.
Other notable "similar" examples of what I am looking for:
James Dooley - Three O'Clock and Nine O'Clock
Melodysheep - Sun Mother and Blink of an Eye
Hmm...
This kind of became a [YML] too. :)
Hello everyone,
I was wondering how do I get such a rolling and noisy Schranz drums/percussions from normal „clean“ samples. See links below for examples:
https://youtu.be/wDTaC16WCE8
https://youtu.be/j1lcFutD8PA
